dj boring and stanley schmidt launch new label ‘vienna’ with their collaborative ep - vienna001. a new place for their friends and like minded artists to call home, vienna (named after the city in which they met) kicks off with a three track ode to 90s idm and rave culture.
heavy on the atmospherics, opener ‘stay young’ weaves field recordings and background noise between primal melodies and uk breaks for an immersive and deeply ethereal cut. ‘butterfly walk’ takes you further into the rave, blending classic 90’s euphoria with uplifting piano chords and twisted acid synths, before stanley’s nostalgic anthem ‘i neva said it’ closes out the ep by reworking a david grant vocal over a kinetic electro beat.
recreating all the experiences and emotions of raves gone by, but through a contemporary lens, vienna001 offers an impressive glimpse into what’s in-store for the fledgling imprint.

it’s been a long time coming digging through the archives, legendary uk acid don luke vibert drops an exquisite solo record on the belgian de:tuned label. on phlacid and arcadia luke shows off his ability to produce funky yet quirky acid tracks that will put a smile on your face. both balath and worry ledge are intense uptempo electro workouts with enough 303 squelch to melt your brain, proper warehouse vibes! the artwork for this release was designed by the wonderful gents at the designers republic. mastered by matt colton at alchemy and pressed on 180 gram vinyl.

after a track, a tape and an ep released on acid waxa, opal tapes and dream ticket, respectively, binary digit logically sees his first lp, 38000 summer hits, released on stochastic releases.
this new album comprises 6 tracks of edm: emotional dance music. they were made and recorded during the hot summers of 2016 and 2017. everything you need then is freshness and coolness and this is exactly what they are giving. they combine the overall positivity of the summer and the melancholy caused by the insistence of the heat, of the light, of the endless nights. they were played directly from the machine to a 1/4’’ tape, which explains their very natural and direct development. 303-like bass, gnarly hi-hats, heavy kicks and digital licks are still to be expected here.

people places & things is the single project of manchester born & london based mike checuti. mike grew listening to a heavy mixture of horror & film soundtracks an equal dose of the early electro via the legendary spin inn records & then the hedonistic sounds of the hacienda & the more underground thunderdome nightclub. treating patient a is the first in a trilogy of releases by people places & things each pulling from the above mentioned influences but each ep having it s own variation whilst keeping the references points clearly audible along with people places & things own take of these sounds at the forefront. people places & things along with gabe guernsey of factory floor have recently just composed the soundtrack for the latest film for the forthcoming adidas spezial range which commemorates 30 years of acid house. artwork for each 12inch is designed by andrew jackson & each sleeve is individually hand printed thus having its own unique imprint and limited to only 200 copies. the press & publicity for the release and project as while will be handled by the rest is noise

“we are what you think we are” is a 3 part compilation celebrating 10 releases from new york-based label and promoters lost soul enterprises. the groupings of artists on each 12” represent slightly different sonic territory, from darkwave and synthpop, to acid and electro, to industrial techno, all of which together have come to define the identity of the label and the community surrounding its legendary parties.

for the 23rd release on pinkman, rotterdam based mitchell goor delivers a 4 tracker of slow, raw and warped techno. the contrast between unpolished percussive instruments and ethereal melodies reoccurs throughout the release and gets polished and refined by haunting vocal samples and pungent acid bass lines. this gives the record an ability to take audiences on rollercoaster rides through tension and anger as well as hope and promise, powered by permanent, adrenaline stimulating, raw energy.

with its seventh release, new york trax welcomes the revival of john selway’s semblance factor alias. selway became an indispensable element of the history of the new york sound by virtue of building an extensive catalog of high quality releases spanning almost three decades and multiple genres of electronic music. from his first electronic band chaotic sound matrix, to his major contributions to the early productions of deep dish from his first success in the techno world as part of the seminal new york duo disintegrator to the most successful of his collaborations, smith & selway, and his deep and minimal techno label csm, from the intelligent electro-funk of synapse and serotonin records, the electro and synth-pop of memory boy to the wild improvisational eclecticism of the rancho relaxo allstars, selway has created one of the richest bodies of work in the world of electronic music. defiance ep is a venture into hard-hitting electro, acid, and raw industrial-leaning and experimental sound. below the intense threshold of sound, there is a message for todays complacent society

e-missions next release comes from australias tred, featuring four cosmic bangers entitled intrinsic field ep with a breakbeat remix from safer at night co-founder lawrence lee. based in berlin, tred aka ed treleavens debut release on e-missions follows label founders p.leone and caiazzo. intrinsic field ep captures his love of hardware instruments and propels the listener into a world of ratcheting drums, celestial pads and acid bass lines. fuelled by a fascination with science fiction and a penchant for straight-up electro, tred brings a refreshing take on the genre and a unique approach to retro futurism.

following on from his debut ep on drumcode earlier this year, ilario alicante returns. for the past few years ilario alicante has enjoyed something of an unintentional ibiza kinship with adam beyer. when the swede played his special annual sets on the amnesia terrace for cocoon, for three years out of four, the italian has been right there playing alongside him, ensuring his talents were on the radar of the drumcode chief. ilario made his first appearance on the label in 2016 with the stirring temporary featuring on a-sides vol.4, before securing his first full-length release with the awakened ep that dropped earlier this year. figures & echoes deepens his contribution to the label with half a dozen powerful cuts. figure of ra opens the ep, combining a rousing vocal loop, pulsating beats and effective melodic interlude to fantastic effect. the acid runner follows and is true to its name, characterised by echoing vocal effects that lead to a piercing 303-line that hits with peak-time power. virgos echoes features a persistent synth line that combining effectively with lush layers of melody to create an atmospheric impact. third eye delivers an exhilarating dose of rave thanks to the hypnotizing riff that runs throughout.

lagaffe tales co-founder jónbjörn drops four tracks on icelands falk records beat driven sub-label, falk disks. since 2008 falk (fuck art lets kill) has become a creative hub for icelandic and international artists involved in experimental and electronic music, spanning noise rock through to power electronics, underground hip-hop to diy techno and electro. 2017 saw falk continue with releases from icelandic hip-hop producer lord pusswhip, techno/electro producer thizone and canadian industrial techno musician /&#991,,,/huren/&#991,,,/. berlin based icelandic producer jónbjörn, known for curating reykjavík record label lagaffe tales – one of the main pillars in the icelandic house scene – now joins falks’ club focused sub-imprint with a robust four tracker. moving away from the deep house sound hes renowned for towards a darker and leaner night time aesthetic, amsiak inaugurates the release with an infectious electro groove as gurgling pings and acidic clangs and drones are liberally dropped throughout the track. aspekte is a spacious track with blown-out bass sounds that morph and glide across a tempered, slow burning planar rhythm. on the flip, jonbjörn goes for a harder techno sound influenced by his relocation to berlin. sunnudagskaffi is a bendy, 4/4 roller that contains hidden grooves below the basslines and the acid pings that wouldnt be out of place on a livity sound release. meanwhile, holy b is pure warehouse creeper techno, complete with machinic tones and the atmospherics of sweat and grime on dungeon brick walls.

next up in the apparel music limited series is loure with a 4 track ep which also includes a remix by saine. the name of this work by the aussie is smooth talk and it contains all the stylistic elements that make the melbournian one of the most talented in the scene at the moment. the ep kicks off with the title track which can be certified as a dancefloor banger with its solid rhythmics and the smooth synths playing along with a hint of acid keeps going with mutual motion which gives a display of what this guy can do in terms of creating spacey deep harmonies, such a groovy way to lower the tones before the remix of the 1st track smooth talk. saine here puts his signature once again with another banging tune crafted on loure sounds, adding his touch with deep percussions, a substantial compact beat with a bass-line that will get you carried away. the closing track is the right decompression after a journey through sounds: rolling snares, vocal samples chasing each other and a happy touch to finish in style.

gitanes is olde gods new ep and longest output to date. following a series of singles on the minor planets label, the barcelona duo are up to a 12inch four-tracker on amsterdams atomnation. gitanes brings echoes from spains not-long gone golden club era. its cover depicts an abandoned club from the 90s in a coastal town in the mediterranean, could be anywhere from valencia to barcelona. all four tracks are trippy yet solid-grounded, spacey voices and strings leads all flying up and magically suspended over gross rhythmical foundations. dear cz, a fetiche track, built around a moody casio cz synth stab topped up with acid videogame-like crazyness. gitanes brings entrancing vocals intertwined with more cz pad action. all around is a foggy and paranoid late-night drive, and none of these bitches, a homesick folks walk around tokyos daikanyama area. olde gods are jmii and guillamino

imogen have stumbled across a rare gem here, presenting some previously unheard liquid funk jams from the lesser known chicago pioneer james perri. some of his jams as jimi polo are perennial classics, while his time spent in soul ii soul and elsewhere are testament to his gifts, but this particular set of recordings from the 90s have lain in wait for their time to shine. you can hear his skills as a session musician and arranger coming through in abundance on this warm, grooving, acid jazz inflected ep. 70s theme is a sparse, moody jazz funk cut, while brother beware is a smooth, sultry slice of message soul. express yourself is the truly uplifting slice of the pie, and it will chime just fine with any lovers of that classic soul ii soul sound.

after a short hiatus, deeply cultured is pleased to return with 4 raw and dusty house cuts by fast rising french producer kemt. synonymously known for his raw sample based house cuts and edits, kemt joins the label family with euphoric house drenched in analogue warmth, designed for early hour closing sets, packaged as morning after ep.
the a1 presents “hey lover-, a 90s french house nostalgic track thoroughly road tested in many kemt sets in paris. keeping the raw analogy energy with “i can feel you”, a2 is a hazy euphoric club tool.
the b side opens with “next to you- the deepest track on the ep, smothered with a catchy chord progression and smooth vocals. by public demand, closing the ep is a kemt classic and melancholic track “belfast”, which combines raw precision and acid lines. kemt is one to watch!

ltd 2018 repress !!
the mysterious donnie tempo has been producing house music for over twenty years. his first release as donnie tempo was back in 2001 on larry heards alleviated records, demonstrating his old school acid inspired productions. donnie tempo unleashes the systems on ep due for release in september on mamsw. the ep drops two previously unreleased tracks recorded between 1989-91 and one new production tcb, that shows that the original chicago house sound still runs deep. finally, donnie has found a new home to release the uncharted authentic house jamz that hes created. stay tuned.

body music lp produced by a man who needs little introduction. thomas p. heckmann has flexed his prowess across all shades of electronic music, but it’s his contributions to ebm-techno, acid, industrial, and experimental that has earned him his notoriety. heckmann has utilised 30 years worth of acquired knowledge to create a hard-hitting album which bears all the grit he is known for - harmonising analogue and digital wares to create an utterly immersive 14 track album. the triple vinyl release includes insert, printed sleeve

our loyal companion steve parker continues to raise awareness off what he can do in the scene. this “interplanetary dust lp” is another example of what he is capable of. a 2x12” containing 8 powerful tracks that fits right into the resume of our widely ranged techno collection. first record on white, 2nd on black vinyl.

the first full artist ep of 2018 is one by a new artist for heist, but a familiar name for any modern day house aficionado: adryiano. after taking 2016 off, he came back guns blazing in 2017, releasing 5 solo eps in 1 year on labels like shall not fade and baka gaijin. his me and you and her ep for heist showcases his contemporary view on classic house and acid, and is an experiment into how much distortion a track can actually handle when youve got a killer sample hook. me and you and her is about as classic as a house track can be and moves in similar fashion as his post-2013 hit ‘on my side. its got a sweet and repetitive vocal loop, some semi-grainy but definitely groovy percussion and a deceptively simple piano hook. add some filtering and youve got a lovely warm house song that can go on forever. the a2 move it, move it moves straight into old-school chicago territory, with a raw af acid bassline. chicago bred jamie 3:26, now residing in its dutch counterpart rotterdam, gives the track a nice old school twist. hes going full 707 on the percussion and has casually added an amazing synth hook to give the remix a true vibe of its own. the ep closes off with fashion country girl: adryianos dystopian view of a world where dolly parton gets mangled through an overdrive, then gets distorted, crushed, mangled, deleted, re-added in 8 bit and then crushed some more. the result is an uptempo roller with more than enough grit, and just enough tongue-in-cheek to make everyone smile a little bit more. yours sincerely, maarten & lars.

fifth album from recondite, 1 per customer
- releases on absurd/acid test, dystopian, innervisions, ghostly international, plangent, hotflush, life and death

recondite has announced his fifth album, daemmerlicht , on his own plangent records. translated as -fading light,- the new album finds the bavarian musician exploring novel territory, combining his love of instrumental hip hop and downbeat with ambient and classical music. the result is recondite s most focused, meditative work yet. from the haunting soundscapes of -lichtung,- to the cinematic beauty of closing track -immer da,- the album demonstrates a new level of sophistication to lorenz brunner s venerated catalogue of work. making conscious use of atmosphere and space, the album ultimately harkens to brunner s unique upbringing in lower bavaria.

ll321 is a prolific music producer. from atmospheric electro tunes, to rough acid techno tunnel, and sometimes through experimental idm tracks, he always gives a personal and pelicular touch to his music. let s say his soul is constantly beside the notes. after a first ep released by activities rec in 2015, -coincidentia oppositorum-, he s back with 4 brand new pieces recorded with an original touch, combining the past, the present and the future... pharmakon ep.

lobster theremin dig back down unda to bring another fresh salty aussie experience to the table with well seasoned young talent shedbug aka geordie elliot-kerr at the helm for this one. as co-head of salt mines he’s been responsible for some of the most exciting new underground electronic bizz coming out of aus - including hymns, rudolph c, escape artist and 92 spacedrum orchestra. as shedbug he makes entrancing house, acid-tinted techno, cosmic electro and heavily stepped uk-influenced jams, with 12” ep’s already landing via of paradise, deeptrax, flux and a cassette album for thrhndrdsvntnn. on destination love, shedbug harnesses the emotive, pad-heavy sound showcased on previous outings whilst mixing in blend of interstellar synths, jagged breaks and crusted-yet-cutting drum work - all mixed down with some serious studio finishing.

the identity of belgian mystery man beton is a complete mystery to us. what we do know is that twin turbo owner/assistant webmaster tiga has called this record the best release of the past five years. even when you consider that tiga believes he experiences time differently from the rest of us, that still means the soundtrack of your life for the past half-decade has been straight-up garbage in comparison. since most djs wont even listen to a record if they dont like the track descriptions, we realize a lot is riding on the next paragraph. acid-electro bomb directions is a collaboration with wevie stonder, who call themselves an absurdist electronic music collective, which youd have to agree sounds like a lot of fun. meanwhile, keep breathin completely redefines the term pump-bumpin pumper, and features vocals from dance mania ghetto house legend dj deeon. twin turbo keeps puttin hot mp3s in your pocket, offering maximum value for your hard-won digital nickels. as far as we know, youve earned it.

on its sixth chapter, sticky ground releases a petrol-black dropped tape cassette compilation, packed in a straight-from-the-90’s rave case that includes 14 tracks of different varieties of great raw, pounding techno that stretches from acid trips to industrial bangers along with great grooves and soundscapes. this is sticky ground folks. featuring: Æmris, ancestor, anthro, blurred boy, curled, illnurse, kernel panic, leaf eater, moth, scase, scenedrone, the pharos project, tomas kunkel, tpx

phat deep dope shit ... from acid house to deep house

2volt and emasa land their first posthouse ep on eademvoce. four tracks that serve all needs, with a strictly selected sound palette declined in four different moods. a1 delivers the hypnotic energy which is necessary to take off in a brief and significant journey into the past future. a2 is a pit-stop, giving the listener a pause to gaze around, leaving a chance to the mind evaporate into the synthetic atmospheres. b1 turns the situation in a determined hunt for something hidden, in a scenario dominated by rubbery tweaks and acid stabs. b2 is the celebration of arrival, the success of discovering something unique traveling in an acid path that cross a forest of morbid synths.

copenhagen s tartelet is returning to their roots with a dancefloor-focused ep, pizza trance, from dirk 81—a.k.a label head emil m. nyholm. having previously dropped a slew of tracks as muff deep and ctepeo 57 (with max graef), the dj and producer is blessing the universe with three cuts of dancefloor heaven under a new moniker lifted from his days tagging concrete walls in the 90s. influences draw everywhere from disco, to african hi-life, dub, underworld, a few old trance records, and timeless house music.

recorded over a year in berlin and copenhagen, the record kicks off with -m.f.c-, a disco-afro-house hybrid oozing with roland jupiter 6 keys and some funky drums processed on old equipment from the former ussr. the b-side spreads things deep and delicious with -pizza trance (main mix),- a euphoric serving of sounds that substitutes pepperonis and pineapples for glittering sequencers and a bangin bass drum.

the ep s closer tastes like a bit of both, mixing up some more acid sounds into the recipe for a retro-sounding house track. it s another tasty delight from the label that will fulfil any and all late-night cravings, especially if you fiend for neapolitan pizza.. leave room for seconds.

zodiak commune records continues the insectum serie with a brand new ep from acidupdub called “longhorn beetle”. he specially made this 4-tracker in various styles of techno and acid.

stealth mission returns with another four track of weighty, warehouse grooves from naked eye people, k alexi shelby (with a ben sims edit), scott franka and the mysterious barrow boy.

melbournes short black label has been relatively sporadic with its releases up until now, having started back in 2013 with matt kennedys together at 2am ep and dropping the third release on the label back in 2016, rustal s privilege. hopefully this excellent new transmission from newcomer tristan kino will be the start of more productivity from the crew. the ep starts off in fine style with the nervy, reduced acid twitch of yggdrassil, while at the other end of the record niddhog presents a tougher, darker throwdown crafted for seedy techno dancefloors. johannes volk has been snapped up for remix duties, and does a sterling service with the metallic clang of his version of niddhog.

180g lp, reissue of this classic jamiroquai album...
synkronized is the fourth studio album released by funk/acid jazz band jamiroquai, fronted by vocalist and key-member jay kay. originally released in 1999, synkronized is the band’s follow-up to the successful album travelling without moving
the album includes the singles -canned heat- (#1 on the us dance charts), -supersonic- (#1 on the us dance charts and #22 on the uk singles chart), -king for a day-, -black capricorn day...

repress on black double vinyl.

1st vinyl outing from the mysterious new user engine project coming soon. celebrating various aspects of house and techno, the new world order ep charts a journey from blistering old-school acid-house to more modern sounding techno floor burners. will be released on stepback records, mastering by radioactive man, illustration by jamie kinroy.

autonomia, first released only on cd in 1993, was mostly a solo project of simon crab with the aid of christoph fringeli of praxis, recorded after a 2-month tour in the usa and europe. typically bourbonese qualk, this album delivers the opposite of the listeners expectations, breaking the mold set by the two previous albums, my government is my soul and unpop. autonomia sets out in a completely different direction of harsh electronic no compromise techno and has become a classic in the field, making this vinyl release well overdue!

based in colombias capital, bogotá, felipe gordons sound is testimony that both challenges and reinvigorates the burgeoning colombian house movement. his statement is built of resonances inspired by other decades, bogotá, cold, streets and messy youth. its not surprising when we hear pianos and classic acid house lines paired with jazz samples and funky bass lines. his ability to mix this complex sounds into club music has made gordon into a renowned and prolific producer (nomada, toy tonics, w&o street tracks, sampling as an art). one to watch. nuff said. welcome to quintessentials!

this is the first vinyl release for genau recordings, a brand new independent techno label born in torino (italy) from the unfamous genau party series. four pure techno tracks signed under the collective artist name genau that put together the experiences of two local artists as gandalf and kessa and the already well known (production wise) duo noizyknobs (also active with their new project exilles). this ep is the result of one year of intense work from these four artists and it s the perfect synthesis of their ways to see techno music.the ep opens with pac-man, a dancefloor killer featuring a strong acid bassline and a paranoid modular synth on it. -genesi is the deepest of all tracks, and it s one of the first productions ever recorded by the genau team. side b features pressing plant, another dancefloor oriented techno track with a solid drums section and a driving bassline, while dont speak is a minimalistic bass orented dark tunnel.

a familiar and reliable musical force, jonny cut his teeth behind the counter at phonica & blackmarket records during the 00s and has has proven his tastes time and time again with his disco hamam and hamam house imprints and releases on labels like cocktail damore and oye edits. this three-tracker rides middle eastern waves, reflecting mystical vibrations to take you through time and space. jonny delivers reworks of radio morocco, an italo tainted work out that rumbles and punches, housey mousey, an exquisitely eery acid house jam from 88 and yab yum, a wild and percussive trip. all three are sure to roar like thunder on the dance floor!

kenny dope is behind this smashing unofficial new version of tyree coopers >acid crash<. the other side is more like vintage maw stuff: wrecking instrumental old-school house.

acid vibes and cathartic rhythms are the weapons on this second release of musica altra. produced by those crazy indianizers, the psychedelic italian cumbia band who is rocking dancefloors and stages all around the europe. here is a preview of their upcoming album including a remix by don t dj and a dub version by passenger (light touches records). close your eyes and let your journey begin.

italian dj team, producers and resopal family members stranger boys are kicking things off with their beautiful dark driving, waterfall of an ep that lives at the most groovy of paces. the two guys worked side by side in the studio giving birth to these three state of the art tracks. essential modern techno.

lp theres been an air of hypnagogic mystery surrounding acid tests sublabel avenue 66 from the start. joey andersons oblique, prince-inspired incantation above the cherry moon set the tone for a label thats sound that has found beauty in the furthest recesses of the dance floor, in the murkiest decay of kick drums and rave stabs. fitting then, that the first album on the imprint comes from trux, an artist who has chosen to reveal nearly nothing about themselves. following a cult classic mini-lp for office recordings, orbiter bears out the anonymous producer as a master of liminal, conceptual dance music. orbiters ten tracks have a vaporous, shape-shifting quality, threatening to topple over into full-on kick drum bliss or vanish into ambience. opener, with it, moves from heady ambient rush to skeletal piano, while blinko and roys garage spell out a hazy memoriam for the uk continuum. forlorn pianos ring out amongst the field recordings, excitable toms and jungle bass all softened in the enveloping gauze. orbiter positions trux as an unknown auteur who puts evocative world of tone and echo into dizzying motion, content to watch from the wings. track list with it orbiter blinko roys garage third glow in my world my row odd u agoma

formerly remixed by move d and a former remixer of cassius, young german talent kolja gerstenberg has been building up some serious pedigree. his ep for monologues showcases his wonderfully wonky sound, full of chunky, bugged-out grooves, killer samples and a generally off-kilter vibe, with a chunky acid / breaks infused remix courtesy of monologues mainstay, g. markus

strap yourselves in as post pluto takes flight with french duo, rbdp, on their fresh self-titled ep. the record features four tracks of high altitude cruisers, soaring through the elements of acid, deep house, breaks and dubbed out synths. we depart the troposphere with -acid r-, a mellow and low-end fusion of dubby textures and acidic lines. -like dat- follows, with moody pads, percussive grooves and celestial tones. on the flip, -st san- takes the record into an acidic journey of 303 sequences and saturated 707 drum patterns, with a sublime zero-gravity remix by red ember records bossman ewan jansen.

rising sun, dj fett burger (as fett birger) and tijana t grace the second remix package of spencer parker s different shapes and sizes series on work them records this february. following on from the first remix release, which featured dj deep, akirahawks and setaoc mass, part two will see more reinterpretations of spencer parker s 2017 series from an array of talented producers. rising sun has earnt a cult following for his otherworldly productions as well as curating labels such as kristofferson kristofferson, styrax and millions of moments and here we see the accomplished producer deliver two hypnotic and classic sounding variations of riff shapes. sex tags and freakout cult cofounder dj fett burger then provides an acid-laced mix of size:yes as dj fett birger. finally, respected belgrade techno dj tijana t closes the release with a robust and evolving rework of a different size

terminal operations is back with their 4th release after dropping records including artists like ekman, fallbeil & spaceinvasion. for this one label co-founder kuno delivers his first ever solo ep. the title „079“ is dedicated to the crew he started to create his own style with, hailing from south west germany. with 4 tracks ranging somewhere between thick beats, serrated acid and unruly noises, kuno defines his own sound.

body music album teaser is produced by a man who needs little introduction. thomas p. heckmann has flexed his prowess across all shades of electronic music, but it’s his contributions to ebm-techno, acid, industrial, and experimental that has earned him his notoriety.
heckmann has utilised 30 years worth of acquired knowledge to create a hard-hitting album and teaser which bears all the grit he is known for - harmonising analogue and digital wares to create an utterly immersive 14 track album. this 3 track teaser gives you a taste of what is to come.

ascetic limited is back with its third va.
side a consists of two prolific italian producers. antonio ruscito starts the release with an intricate, atmospheric track titled nube. alfredo mazzilli then brings the driving yet melodic banger, transcendence.
side b begins with david att of att series out of spain, with a dynamic, heavy hitting track titled spirits. from malta, hail blk brings church blk, with his signature dark, spacey yet groovy vibe. label founders motionen end the record with escape sequence, blending acid, arps, and big pads for a unique cinematic feel.

pmr va002 is the 6th vinyl printed by péché mignon records. as it’s predecessor, the first various artists, the four tracks incorporating the ep are produced by pmr producers and guests. easy morph and wlderz have renewed their involvement on this second edition of péché mignon’s various artist series and have been joined by two new guests : the young producer soul edifice, member of «acid avengers» and founder of the musical group «vernacular orchestra» and a guest star, madben, major member of astropolis and co founder of the duet «trunkline».

vinyl only. lisbon-based record shop carpet & snares second release comes from owner jorge caiado. optimistic strings and sweetly melancholic keys bring a touch of wistfulness to both ap135 and choices : the former matches skippy detroit hats with deep berlin bass in the manner of derek carr, while the latter draws from a rawer palette more reminiscent of 3 chairs. on the flip, tarradas takes us into spacier territory, the almost-broken beat contrasted with a sustained background wash of synths and acid highlights, which s. moreira of the slow life crew turns into the main motif of his driving, funked-up remix, finding a place where techno, breaks and house influences coalesce into a new, exciting whole

the make mistakes ethos is one of diversity and evolution, and that is showcased in full on our newest vinyl release need your luvin. house, acid, techno, roy england, jarvi, fredy grogan. one track, three styles, all dance floor bounders. roy englands original mix is a jackin house jam with a timeless vibe. a classic house sound propelled forward by the titular vocal sample, england manages to deliver a track that would work equally in the lounge, as well as late night in the big room. on the b side jarvi s acid workout strips the original down even further, and fills it back up, with a wandering, hypnotic acid line to stitch it all together. an old school party sound, both familiar and fresh. fredy grogan deconstructs the original into its component parts, building it back up into his dark, and driving dub techno remix. drawing it out over nearly 8 minutes, this ll have the heads bouncing off the walls. house, acid, techno, pillars of dance music, mixed together, given the ol razzle dazzle, and served up hot and ready for mind, body, and soul. grab need your luvin, stick it in the crate, and never worry, because you ll always have the luvin you need. beware the irrational, however seductive. shun the transcendent and all who invite you to subordinate or annihilate yourself. distrust compassion, prefer dignity for yourself and others. dont be afraid to be thought arrogant or selfish. picture all experts as if they were mammals. never be a spectator of unfairness or stupidity. seek out argument and disputation for their own sake the grave will supply plenty of time for silence. suspect your own motives, and all excuses. do not live for others any more than you would expect others to live for you.